Wednesday, February 10, 2010

THE TOM TOM CLUB, TONE CASUALTIES, TOMMY

Tina Weymouth
A girl singer with a very limited vocal range singing minimal exotica pop that you can dance to. And for those who don't want to dance there's a candy dish of drugs nearby. The Tom Tom Club is Talking Heads alumni, and married couple, Tina Weymouth (bass) and Chris Frantz (drums). They formed The Tom Tom Club as a side project to Talking Heads in 1980. CLOSE TO THE BONE (Sire 123-), from 1983 is their second album. Chris Frantz's trippy percussive outbreaks come when they're needed most and Tina Weymouth, well god love her, but she's like your twelve year old niece putting on a show for the family. Their sunny day martini LSD weekend is what the me-want-drugs decade was all about. "The Man With The Four Way Hips" leaves the letter D for disco scorched on your forehead. "Pleasure of Love" is all peace daisies and keen observation - I met him one day at the park / I was scared because it was after dark, and he wore bad street clothes. - and "Bamboo Town" is your standard 'rock stars in the back of a cab' detour. You can hear Bamboo Town and especially The Man With The Four Way Hips here.

Speaking of druggie music, TONE CASUALTIES , Music For The Next Generation, (1998) was a free label sampler from Tone Casualties when I ordered a record from them. It's glossy and dark tech stuff from artists around the globe. All the tracks are spacey with particular mind bending attention given to Madam Crain & Wahorn's "Panties On Fire", a late night sex confessional in which Madam asserts "it's very, very zen to be with one thousand men"; it can be heard via the widget at the top of this post, Holger Czukay vs. Doctor Walker's "Backup Dream" finds the former leader of revered kraut rock band, "Can", experimenting with spooky tech and noise, and Blue and Holding's "Sleep", is a cool blend of electronica blues and Peter Gabriel mysticism from the album, "Hell".



The original cast recording of The Who's Tommy is here. I can't take it for Peter Townsend's original rock opera. Everybody sounds like they should be wearing a Vikings war helmet with animal horns. Finale "Listening To You" is climactic but a kazoo would do it justice, even The New Seekers' livened up their lives with a decent rendition of it. I've tried to warm up to this CD, but it only makes me long for the original album.