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I've accumulated a horde of 45rpm records and this past holiday weekend I listened to one of my favorite blue-eyed soul 45s, 1970's MA BELLE AMIE, by The Tee Set, (Colossus CS 107). Ah, what a record. A cascading organ scaling the earthy vocals backed by an impetuous wedding march beat, from a guy so in love with maybe a prostitute, it hurts, (use a lubricant, dear). Like The Beatles' Michelle, it includes just enough French language lyrics to sniff a neck by. B-side ANGELS COMING IN THE HOLY NIGHT, is the hyper-kinetic honeymoon of said wedding march, with Hans Van Eijck's organ again prominently figured. The Tee Set came out of Delft, Holland and scored an international hit with Ma Belle Amie, reaching #5 on the American charts in early 1970. Fairly much a one-hit-wonder in the U.S., their second single, She Likes Weeds, was a Number 1 hit in The Netherlands, but was banned in the States, as it was believed to be a reference to drug use. Lead singer Peter Tetteroo, co-writer of Ma Belle Amie, died in 2002 from liver cancer. My GOOD copy of MA BELLE AMIE has a market value of about 3 bucks. I mention this only because I love my penny ante marketplace.
Teenage Fanclub
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My Teenage Fanclub CD-EP, 1992, rare though it may be is worth about 3 dollars. If the lukewarm, amateur pop band from Tom Hanks' film, That Thing You Do progressed to a bigger bullet on the charts instead of the one-hit wonder depicted, it may have sounded a lot like Teenage Fanclub from Scotland. Modest playing of juvenile pop junk, as adolescent as teen musicians with guitar an amp and a drum practicing in a garage with no more than a 6-pack of Coca-Cola to infuse the atmosphere. Kurt Cobain cited them as a major influence, but they're more like The Archies in real life than Nirvana. This four song CD single boasts disposable music with titles like B-SIDE, and FILLER, the latter being a short and tight drum and guitar infused rock and roller ending with an unremarkable roll on the drums, the former a dreary but magnetic Christmas song throwaway you might find on the b-side of a Sonny and Cher or Beach Boys 45 rpm circa 1966. WHAT YOU DO TO ME is the lead song and has much in common; catchy hook, cheery guitar strumming, with the title song from Hanks' film.
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